3/29/2024 0 Comments Lone star movie production company" " None of them will be western pictures. "Universal has signed a contract with Trem Carr as the producer of a series of adventure melodramas starring John Wayne. MaUniversal Weekly trade publication had an announcement - excerpts: He and Paul Malvern went over to Universal Pictures and Wayne followed along as he was offered some better low-budget films, none of them westerns. Trem Carr had become a Vice President at Republic Pictures, but was disgruntled with the new company. This film includes an outstanding stagecoach race. And in 1936, Republic introduced the Three Mesquiteers.Ībove - Bob Kortman on the stage wheel converses with Douglas Cosgrove, and a young John Wayne has the drop on both in WINDS OF THE WASTELAND (Republic, 1936), one of the best of the eight Wayne westerns that were filmed soon after the formation of Republic. Released in September, 1935, TUMBLING TUMBLEWEEDS (Republic, 1935) was the first B western starring role for Gene Autry. In WINDS, Lane Chandler is Wayne's buddy, and the film is a fast-paced tale about a stageline and concludes with an exciting and lengthy stagecoach race.Īt the same time as these Waynes were being churned out, Republic brought forth another cinema range rider. Last - and arguably best of the group of eight - is WINDS OF THE WASTELAND (Republic, 1936). WESTWARD HO (Republic, 1935) is another good one, with Wayne searching for his lost brother (played by Frank McGlynn Jr.) and also leading the vigilante "Singing Riders" on their white steeds. KING OF THE PECOS (Republic, 1936) is a good adventure with meaty roles for rotund baddie Cy Kendall and his nasty helper Jack Clifford. Under the Republic logo, Wayne did eight westerns which had slightly higher budgets and production values over the previous sixteen westerns. Sign up to keep your eye on what’s new and next in Dallas-Fort Worth, every day.Monogram was one of the companies that was merged to form the new Republic Pictures organization in 1935, and Wayne, Trem Carr, Paul Malvern and the Lone Star production unit came in the deal. You can read Texas Monthly’s story by going here.įor more of who said what about all things North Texas, check out Every Last Word. ![]() Meanwhile, film productions keep rolling into North Texas, including the “1883” spinoff “ 1883: The Bass Reeves Story.” And Mansfield, the suburb south of Arlington, has plans to build Mansfield Super Studios, a film production studio to be built on 72 acres of undeveloped land, with restaurants, a hotel, and retail part of the project’s $70 million vision. “We actually need more-more qualified people, more facilities, more hotels, more restaurants, all these things.” We had an archery specialist on set the other day,” Chad Gundersen, co-executive producer of “The Chosen,” told TM. “We employ doctors, we employ attorneys, we employ writers. That kind of investment can pay off for Texas in big ways. “Texas may not be competing with Georgia in the short term, but industry folks in the state can imagine getting there in the future,” Solomon writes, giving a big nod to Texas-based productions like “ 1883“-much of which was filmed in North Texas, as was “ Yellowstone“-and “ The Chosen,” whose producers built their own 30,000-foot sound stage in Midlothian. TM’s Solomon notes that Marvel Studios has made big investments in Georgia-which spends nearly $1 billion a year to attract film productions-and shoots much of its movie and TV projects in Georgia production facilities. “I don’t think most legislators understood that Marvel hasn’t filmed a movie in California in 10 years,” Red Sanders, a TCU film graduate and president of Fort Worth-based Red Productions, told Texas Monthly. The state is trying to compete with states like Georgia, who’ve gone full tilt to lure Hollywood productions to the local economy. ![]() ![]() In its 2023 session, the Texas Legislature approved appropriations of $200 million for incentives to attract film production in the Lone Star State. …From a Texas Monthly article by Dan Solomon on incentives passed by the Texas Legislature to attract film productions in the Lone Star State. “ The future of Texas film is $200 million brighter.”
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